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cross media arts

cross media arts

3rd international conference

creative assemblages for social impact

call for papers

XMA25 explores the synergy between artistic fields and social issues through transformative and collaborative approaches. By integrating a variety of procedures and strategies, the conference focuses on creative processes designed for the common good.

At its core, XMA25 values a practice that transcends disciplinary boundaries, fostering a deep understanding and expertise through shared insights, principles, and practices within a dynamic network of relationships and interactions. This network, or assemblage, constitutes a complex and dynamic whole, created by the interaction of diverse components, both human and non-human, generating new functions and realities. Unlike traditional structures, an assemblage is fluid, multifaceted, and constantly evolving (Deleuze & Guattari, 1987).

XMA25 challenges its speakers to adopt assemblage thinking, exploring the interconnections between elements and demonstrating how these links can be harnessed for creative purposes. This perspective aims to collaboratively engage stakeholders, creatives, makers, and communities in developing innovative proposals to address contemporary social challenges.

venue

The conference will be held at the Lisbon Fine Arts Faculty, from June 16 to 18 2025.

Location >

programme

All XMA25 sessions take place at the Lagoa Henriques Auditorium.

The schedule of conference sessions will be available close to the event date.

format

Main session with speakers and a moderator, followed by sessions with participants moderated by members of the Scientific Committee.

panel
keynote speakers
& moderator

Panel moderator

Alastair Fuad-Luke is a facilitator, educator, researcher, consultant, writer and activist exploring how design is applied to societal, ecological, economic, political and educational issues. He was chief curator for the Porto Design Biennale 2021, Alter-Realities: Designing the Present. During 2016 – 2021 he was a Full Professor of Design Research at the Free University of Bozen-Bolzano, South Tyrol, Italy and Full Professor of Emerging Design Practices at Aalto ARTS, Aalto University, Helsinki, Finland 2011-2015 working with Lahti Regional Development to develop a ‘co-design eco-system’ for the city. He was involved in several European Union projects, including Eco-innovera - Support Systems for Sustainable Entrepreneurship and Transformation (SHIFT), 2012-2016; and Leonardo Da Vinci - Design Education and Sustainability (DEEDS), 2006-2008. He collaborates with diverse communities; his last project was developing muu-baa a network for “agri-cultural” explorations in South Tyrol. His books include Field Explorations (2022), Agents of Alternatives (2015), Design Activism (2009) and The Eco-Design Handbook (2002).



Panel keynote speaker,
joint presentation with
Mimi Hapig

Habibi.Works

Michael Wittmann works at the intersection of artistic practices with forms of solidarity and articulations in socio-political fields. His focus is on collaborative (artistic) processes, common workshop settings, and installations in public spaces. In 2016, he joined the open transcultural workshop Habibi.Works, located near Ioannina, Northern Greece, with the aim of supporting people who arrived in Europe after being forced to flee their home countries and creating space for exchange with local communities. As part of this work, he co-developed the sub-project Habibi Dome, a collaborative building project and an open platform for public spaces. Since 2018, the project has been carried out in various European cities and was exhibited at the X-Depot of the Pinakothek der Moderne in Munich in 2022. Michael graduated from the Academy of Fine Arts in Munich (MA) in 2018 and is currently pursuing his PhD at the University of Arts Linz, Austria. Additionally, he teaches in various settings, most recently at the University of Arts Linz and the Academy of Fine Arts Munich.

Panel keynote speaker

Jon Rubin is an interdisciplinary artist who creates collaborative interventions into public life that re-imagine individual, group, and institutional behavior. His socially engaged projects include running a barter-based nomadic art school, founding a national museum, operating a restaurant that produces a live talk show with its customers, and co-directing another that only serves cuisine from countries with which the United States is in conflict. Rubin has exhibited at the Shanghai Biennial; the San Francisco Museum of Modern Art; the Mercosul Biennial; the Carnegie International; The Lyon Biennale; The Museum of Contemporary Art, Denver; The Museo Tamayo Arte Contemporaneo, Mexico; The Rooseum, Sweden; as well as in backyards, living rooms, and street corners. His work has been reported on internationally by outlets including The New York Times, The Associated Press, Art in America, The Boston Globe, La Repubblica, Al Jazeera, and the BBC World News. Conflict Kitchen, Rubin’s collaborative seven-year work with artist Dawn Weleski, was named as one of the 100 Artworks that “Defined the Decade” by Artnet News. Rubin is a Professor in the School of Art at Carnegie Mellon University.

Panel keynote speaker

Resonar Lab

Ivan Txaparro is an artist, musician, designer, and researcher based in Berlin, committed to promoting political participation, transdisciplinary art, electroacoustic music, storytelling, and artistic activism. In recent years, Ivan's work has focused on facilitating artistic mediations that promote environmental protection, social justice, and empathetic repair, integrating art, music, and design. Ivan is a researcher at the University of the Arts in Berlin and the creative director of Resonar Lab, an international collective of artists, designers, musicians, and activists dedicated to promoting eco-social transformations. Resonar Lab collaborates with communities, individuals, and collectives, using a participatory and transdisciplinary approach to develop strategies of resistance, experiences of radical imagination, and alternative solidaristic futures. Please visit https://linktr.ee/txap to explore his work.





Panel keynote speaker

Parto + Upfarming

Tiago Sá Gomes (Lisbon, 1992) is an architect and co-founder of the Parto studio. Alongside his work at the studio, his professional journey in the field of urban horticulture and community development is particularly noteworthy, especially his past three years as president of Upfarming. Throughout this journey, he has made numerous public appearances on the themes of community and participatory urban horticulture. In this context, in addition to participating in reports dedicated to urban ecology, he has also been invited as a speaker and mediator at conferences, festivals, workshops, and specialised seminars. From the perspective of the recognition of the work carried out by the NGO, the following are worth mentioning: an Honourable Mention in the Fernando Pereira National Environment Prize from CPADA in 2021; the BPI Foundation "La Caixa Solidário” Award in 2022 and the "La Caixa Capacitar" Award in 2024; the mention of the project in Torres Novas Prison as an example of good practices during the 55th session of the UN Human Rights Council in 2024; and more recently, the award of the "Prison Achievement Award" by the European Organisation of Prison and Correctional Services.

Panel keynote speaker,
joint presentation with
Michael Wittmann

Habibi.Works

Mimi Hapig is co-founder and strategy director of the intercultural maker-space Habibi.Works in Greece. Born and raised on the German border with Switzerland and France, she has lived, worked, and studied in various Latin American and European countries. At the age of 25, she moved to Greece, where she spent seven years building, maintaining, and reinventing the flagship project Habibi.Works. The project offers 11 free workshop areas for people living in refugee camps and local Greeks, where they can acquire or share skills, build objects and relationships, and create their own solutions. Over the years, Mimi has built a community of thousands of men and women, including craftsmen, specialists, activists, artists, supporters, and many others from all over the world, joining forces to show that the phenomenon of forced migration and its impact on people's lives can be approached differently: with solidarity, respect, and with the goal of creating autonomy and dignity. The project has received various awards, and Mimi has been recognised in several leadership programmes.

important
dates

November 30 2024

Abstract submission.

Thematic sessions will be determined later, according to the content of the submitted papers.

Template >

Submit >

January 31 2025

Paper submission for peer review
(1st round).

Template >

Submit >

March 20 2025

Paper submission after corrections.
(2nd round).

Submit >

registration

Participant—Researcher/professor fee is 175€.

Participant—Student fee is 125€.

Fee for general audience is 50€

Free registration for students (general audience):
UÉvora, FBAUL, IADE-UEuropeia

Free registration for researchers (general audience):
CHAIA, CIEBA, UNIDCOM

Link to registration >

Instructions >

book

A book edited by the conference organisers will be launched during the conference days at the National Museum of Contemporary Art. It will be available in both print and open-access digital versions.

The book Cross Media Arts 2025 will include the articles presented by participants in the conference sessions. This publication will also feature a special section for the keynote speakers and the moderator, who are invited to write an article.

previous publications

The 1st XMA publication (2018) resulted from the 2016 conference themed Social Arts and Transdisciplinarity, held in Évora, from 24 to 25 June 2016, at the Eugénio de Almeida Foundation.
Link to download >

The 2nd XMA publication (2024) resulted from the 2023 conference themed Social Arts and Collaboration, held in Lisbon, from 9 to 10 February 2023, at the Faculty of Fine Arts, University of Lisbon.
Link to download >

scientific committee

Ana Carceller, collective Cabello/Carceller

Facultad de Bellas Artes Cuenca, Universidad de Castilla-La Mancha, Spain

Ana Luísa Marques

IADE, Universidade Europeia, Portugal

Ana Margarida Ferreira

Universidade da Beira Interior, Portugal

Ana Melo

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

Ana Moya Pellitero

CHAIA–Universidade de Évora, Portugal

Ana Nolasco

Escola de Artes da Universidade de Évora, Portugal

Ana Thudichum Vasconcelos

Faculdade de Belas-Artes da Universidade de Lisboa, Portugal

Antonio Gorgel Pinto

IADE, Universidade Europeia, Portugal

Carla Paoliello

Faculdade de Belas-Artes da Universidade de Lisboa, Instituto Superior Manuel Teixeira Gomes, Portugal

Carlos Rosa

IADE, Universidade Europeia, Portugal

Cristina Pratas Cruzeiro

Universidade NOVA de Lisboa, Portugal

Domingo Adame Hernández

Universidad Veracruzana, Mexico

Eduardo Gonçalves

IADE, Universidade Europeia, Portugal

Emília Duarte

IADE, Universidade Europeia, Portugal

Emília Ferreira

Museu Nacional de Arte Contemporânea

Fernando Moreira da Silva

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

Gabriela Vaz Pinheiro

Faculdade de Belas-Artes da Universidade do Porto, Portugal

Graziela Sousa

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

Hande Ayanoglu

IADE, Universidade Europeia, Portugal

Helena Cabello, collective Cabello/Carceller

Facultad de Bellas Artes Cuenca, Universidad de Castilla-La Mancha, Spain

Helena Elias

Faculdade de Belas-Artes da Universidade de Lisboa, Portugal

Hugo Cruz

CIIE–Universidade do Porto
CHAIA–Universidade de Évora, Portugal

Inês Lima Rodrigues

DINÂMIA'CET–ISCTE, Instituto Universitário de Lisboa, Portugal

Inês Veiga

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

Isabel Bezelga

Escola de Artes da Universidade de Évora, Portugal

Isabel Farinha

IADE, Universidade Europeia, Portugal

Jane Gilmor

Mount Mercy University, Cedar Rapids, Iowa, USA

João Batalheiro Ferreira

IADE, Universidade Europeia, Portugal

João Bernarda

IADE, Universidade Europeia, Portugal

João Dias

IADE, Universidade Europeia, Portugal

Joana Ramalho

IADE, Universidade Europeia, Portugal

Juliana Duque

IADE, Universidade Europeia, Portugal

Madalena Miranda

IADE, Universidade Europeia, Portugal

Marco Neves

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

María Vidagañ

Universitat Jaume I, Spain

Mario Kong

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

Mónica Pacheco

ISCTE, Instituto Universitário de Lisboa, Portugal

Paula Reaes Pinto

Escola de Artes da Universidade de Évora, Portugal

Paulo Simões Rodrigues

Escola de Ciências Sociais da Universidade de Évora, Portugal

Ramon Santana de Aguiar

Laboratório de Estudos do Espaço Teatro e Memória Urbana (LEG T5) - Universidade Federal do Estado do Rio de Janeiro (UNIRIO), Brasil

Renata Porto

Universidade Federal de Pelotas, Brasil

Rita Assoreira Almendra

Faculdade de Arquitetura da Universidade de Lisboa, Portugal

Rodrigo Hernandez-Ramirez

Sydney School of Architecture, Design and Planning, Australia

Rodrigo Morais

IADE, Universidade Europeia, Portugal

S Chandrasekaran

Lasalle College of the Arts, Singapura

Sara Gancho

IADE, Universidade Europeia, Portugal

Sérgio Vicente

Faculdade de Belas-Artes da Universidade de Lisboa, Portugal

Sofia Ponte

IADE, Universidade Europeia, Portugal

Şölen Kipöz

Izmir University of Economics, Turkey

Teresa Franqueira

Universidade de Aveiro, Portugal

Tiago Porteiro

Universidade do Minho, Portugal

Tom Bieling

HfG Offenbach University of Art and Design, Germany

Vitor Gomes

Escola de Artes da Universidade de Évora, Portugal

coordination

Paula Reaes Pinto (Ed.)

School of Fine Arts, University of Évora
Portugal

Antonio Gorgel Pinto (Ed.)

IADE, Universidade Europeia
Portugal

Sérgio Vicente (Ed.)

Faculty of Fine Arts, University of Lisbon
Portugal

organisation

CHAIA
University of Évora
Portugal

UNIDCOM
IADE, Universidade Europeia
Portugal

CIEBA
University of Lisbon
Portugal

contact

xmediarts25@uevora.pt

xma23 support