XMA25 explores the synergy between artistic fields and social issues through transformative and collaborative approaches. By integrating a variety of procedures and strategies, the conference focuses on creative processes designed for the common good.
At its core, XMA25 values a practice that transcends disciplinary boundaries, fostering a deep understanding and expertise through shared insights, principles, and practices within a dynamic network of relationships and interactions. This network, or assemblage, constitutes a complex and dynamic whole, created by the interaction of diverse components, both human and non-human, generating new functions and realities. Unlike traditional structures, an assemblage is fluid, multifaceted, and constantly evolving (Deleuze & Guattari, 1987).
XMA25 challenges its speakers to adopt assemblage thinking, exploring the interconnections between elements and demonstrating how these links can be harnessed for creative purposes. This perspective aims to collaboratively engage stakeholders, creatives, makers, and communities in developing innovative proposals to address contemporary social challenges.
The conference will be held at the Lisbon Fine Arts Faculty, from June 16 to 18 2025.
All XMA25 sessions take place at the Lagoa Henriques Auditorium.
The schedule of conference sessions is available in the programme >
In the conference foyer, the participatory public art project 'TAKING PART TO REMEMBER: The PIDE Technical School was here!' will be on display. Developed by the artist collective Atelier Artéria in collaboration with researchers from CIEBA and VICARTE at the University of Lisbon, the project seeks to work on and reflect upon the erasure of memory sites from the Estado Novo regime, specifically the location where the Technical School of the PIDE (International and State Defence Police) once operated in São Domingos de Benfica, Lisbon.
Main session with speakers and a moderator, followed by sessions with participants moderated by members of the Scientific Committee.
Alastair Fuad-Luke is a facilitator, educator, researcher, consultant, writer and activist exploring how design is applied to societal, ecological, economic, political and educational issues. He was chief curator for the Porto Design Biennale 2021, Alter-Realities: Designing the Present. During 2016 – 2021 he was a Full Professor of Design Research at the Free University of Bozen-Bolzano, South Tyrol, Italy and Full Professor of Emerging Design Practices at Aalto ARTS, Aalto University, Helsinki, Finland 2011-2015 working with Lahti Regional Development to develop a ‘co-design eco-system’ for the city. He was involved in several European Union projects, including Eco-innovera - Support Systems for Sustainable Entrepreneurship and Transformation (SHIFT), 2012-2016; and Leonardo Da Vinci - Design Education and Sustainability (DEEDS), 2006-2008. He collaborates with diverse communities; his last project was developing muu-baa a network for “agri-cultural” explorations in South Tyrol. His books include Field Explorations (2022), Agents of Alternatives (2015), Design Activism (2009) and The Eco-Design Handbook (2002).
Michael Wittmann works at the intersection of artistic practices with forms of solidarity and articulations in socio-political fields. His focus is on collaborative (artistic) processes, common workshop settings, and installations in public spaces. In 2016, he joined the open transcultural workshop Habibi.Works, located near Ioannina, Northern Greece, with the aim of supporting people who arrived in Europe after being forced to flee their home countries and creating space for exchange with local communities. As part of this work, he co-developed the sub-project Habibi Dome, a collaborative building project and an open platform for public spaces. Since 2018, the project has been carried out in various European cities and was exhibited at the X-Depot of the Pinakothek der Moderne in Munich in 2022. Michael graduated from the Academy of Fine Arts in Munich (MA) in 2018 and is currently pursuing his PhD at the University of Arts Linz, Austria. Additionally, he teaches in various settings, most recently at the University of Arts Linz and the Academy of Fine Arts Munich.
Hans Kalliwoda is an artist, curator, and researcher known for his interventions in public spaces, blending art, ecology, and sustainability. His work encourages social engagement through conceptual and experimental art forms. Kalliwoda’s projects, such as The European Art Train, The World in a Shell – Future Pollination Lab, and BeeTotems for RefuBees, aim to inspire dialogue around identity, environmental sustainability, and community cohesion. His latest project emphasizes the importance of collective action in urban spaces, particularly through interdisciplinary approaches that combine art, science, and social engagement. As co-director of the TuDelft Urban Ecology and Ecocities Lab and co-founder of the Blindpainters Foundation, Kalliwoda has spent 30 years advocating for a sustainable, alternative approach to the traditional 'business as usual' practices in the art world. His research as a PhD candidate at the University of Leiden (2013-2017) focused on how artistic practice can drive social change, particularly through the metaphor of "pollination" to describe the exchange of ideas and cultural elements. His independent projects, alongside his search for interfaces between art, science, and activism, are recognized as pioneering, avant-garde, and meta-modern. Through his interactive art and symbiotic adventures, Kalliwoda brings romanticism and utopia into the reality of the here and now.
Ivan Txaparro is an artist, musician, designer, and researcher based in Berlin, committed to promoting political participation, transdisciplinary art, electroacoustic music, storytelling, and artistic activism. In recent years, Ivan's work has focused on facilitating artistic mediations that promote environmental protection, social justice, and empathetic repair, integrating art, music, and design. Ivan is a researcher at the University of the Arts in Berlin and the creative director of Resonar Lab, an international collective of artists, designers, musicians, and activists dedicated to promoting eco-social transformations. Resonar Lab collaborates with communities, individuals, and collectives, using a participatory and transdisciplinary approach to develop strategies of resistance, experiences of radical imagination, and alternative solidaristic futures. Please visit https://linktr.ee/txap to explore his work.
Mimi Hapig is co-founder and strategy director of the intercultural maker-space Habibi.Works in Greece. Born and raised on the German border with Switzerland and France, she has lived, worked, and studied in various Latin American and European countries. At the age of 25, she moved to Greece, where she spent seven years building, maintaining, and reinventing the flagship project Habibi.Works. The project offers 11 free workshop areas for people living in refugee camps and local Greeks, where they can acquire or share skills, build objects and relationships, and create their own solutions. Over the years, Mimi has built a community of thousands of men and women, including craftsmen, specialists, activists, artists, supporters, and many others from all over the world, joining forces to show that the phenomenon of forced migration and its impact on people's lives can be approached differently: with solidarity, respect, and with the goal of creating autonomy and dignity. The project has received various awards, and Mimi has been recognised in several leadership programmes.
Abstract submission.
Thematic sessions will be determined later, according to the content of the submitted papers.
Participant—Researcher/professor fee is 175€.
Participant—Student fee is 125€.
Fee for general audience is 50€
Free registration for students (general audience only): UÉvora, FBAUL, IADE-UEuropeia
Free registration for researchers (general audience only): CHAIA, CIEBA, UNIDCOM
A book edited by the conference organisers will be launched during the conference days at the National Museum of Contemporary Art. It will be available in both print and open-access digital versions.
The book Cross Media Arts 2025 will include the articles presented by participants in the conference sessions. This publication will also feature a special section for the keynote speakers and the moderator, who are invited to write an article.
The 1st XMA publication (2018) resulted from the 2016 conference themed Social Arts and Transdisciplinarity, held in Évora, from 24 to 25 June 2016, at the Eugénio de Almeida Foundation.
Link to download >
The 2nd XMA publication (2024) resulted from the 2023 conference themed Social Arts and Collaboration, held in Lisbon, from 9 to 10 February 2023, at the Faculty of Fine Arts, University of Lisbon.
Link to download >
Ana Carceller, collective Cabello/Carceller
Ana Luísa Marques
Ana Margarida Ferreira
Ana Melo
Ana Moya Pellitero
Ana Nolasco
Ana Thudichum Vasconcelos
Antonio Gorgel Pinto
Carla Paoliello
Carlos Rosa
Cristina Pratas Cruzeiro
Domingo Adame Hernández
Eduardo Gonçalves
Emília Duarte
Emília Ferreira
Fernando Moreira da Silva
Gabriela Vaz Pinheiro
Graziela Sousa
Hande Ayanoglu
Helena Cabello, collective Cabello/Carceller
Helena Elias
Hugo Cruz
Inês Lima Rodrigues
Inês Veiga
Isabel Bezelga
Isabel Farinha
Jane Gilmor
João Batalheiro Ferreira
João Bernarda
João Dias
Joana Ramalho
Juliana Duque
Madalena Miranda
Marco Neves
María Vidagañ
Mario Kong
Mónica Pacheco
Paula Reaes Pinto
Paulo Simões Rodrigues
Ramon Santana de Aguiar
Renata Porto
Rita Assoreira Almendra
Rodrigo Hernandez-Ramirez
Rodrigo Morais
S Chandrasekaran
Samuel Viana Meyler
Sara Gancho
Sérgio Vicente
Sofia Ponte
Şölen Kipöz
Teresa Franqueira
Tiago Porteiro
Tom Bieling
Vitor Gomes
Paula Reaes Pinto (Ed.)
Antonio Gorgel Pinto (Ed.)
Sérgio Vicente (Ed.)
CHAIA
University of Évora
Portugal
UNIDCOM
IADE, Universidade Europeia
Portugal
CIEBA
University of Lisbon
Portugal
xmediarts25@uevora.pt